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	<title>Pagalz.com - Blog &#187; Coaching</title>
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		<title>Unisys to axe 1,300 jobs; suspends salary hikes</title>
		<link>http://www.pagalz.com/blog/2008/12/unisys-to-axe-1300-jobs-suspends-salary-hikes/</link>
		<comments>http://www.pagalz.com/blog/2008/12/unisys-to-axe-1300-jobs-suspends-salary-hikes/#comments</comments>
		<pubDate>Tue, 23 Dec 2008 11:32:05 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
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		<guid isPermaLink="false">http://www.pagalz.com/blog/2008/12/23/unisys-to-axe-1300-jobs-suspends-salary-hikes/</guid>
		<description><![CDATA[IT services and solutions provider Unisys Corporation has said it will slash as many as 1,300 jobs across the world and plans to forgo any salary hike next year in most of the countries where the company operates.
&#8220;The headcount reductions have begun and will continue into 2009&#8230; the company also plans to forgo 2009 salary  <a href="http://www.pagalz.com/blog/2008/12/unisys-to-axe-1300-jobs-suspends-salary-hikes/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>IT services and solutions provider Unisys Corporation has said it will slash as many as 1,300 jobs across the world and plans to forgo any salary hike next year in most of the countries where the company operates.</p>
<p>&#8220;The headcount reductions have begun and will continue into 2009&#8230; the company also plans to forgo 2009 salary increases in most of the company&#8217;s markets,&#8221; Unisys Corporation said in a statement.</p>
<p>Unisys said that it is exploring a wide range of cost-reduction options and that actions currently underway are expected to reduce its annual cost structure by more than USD 225 million.<span id="more-558"></span></p>
<p>The cost-reduction actions &#8211;led by new Unisys Chairman and CEO Ed Coleman &#8212; are part of an overall programme to simplify the company&#8217;s business structure, concentrate its resources more effectively and drive improved market success and profitability, Unisys added.</p>
<p>The initial cost-reduction actions are focused on reducing selling, general and administrative (SGandA) expenses and controlling or reducing labor costs across the board.</p>
<p>&#8220;The company plans to reduce its spending on third-party expenses, facility consolidations, head-count reductions and a suspension of company matching contributions to the US 401(k) plan, which had been costing about USD 50 million annually,&#8221; the statement added.</p>
<p>http://in.news.yahoo.com/241/20081223/1265/tbs-unisys-to-axe-1-300-jobs-suspends-sa.html</p>


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		<title>WiFi tops best technological innovation poll</title>
		<link>http://www.pagalz.com/blog/2008/12/wifi-tops-best-technological-innovation-poll/</link>
		<comments>http://www.pagalz.com/blog/2008/12/wifi-tops-best-technological-innovation-poll/#comments</comments>
		<pubDate>Tue, 23 Dec 2008 11:27:04 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
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		<guid isPermaLink="false">http://www.pagalz.com/blog/2008/12/23/wifi-tops-best-technological-innovation-poll/</guid>
		<description><![CDATA[Surfing the net has become a lot more easier since wireless internet has come into being, and now Wi-Fi has rightly topped the poll for the greatest technological advance of the last decade, according to a survey.
With 35.5 percent votes, Wi-Fi has beaten Sky+, Sat Navs, iPods and Blackberries to win the poll conducted by  <a href="http://www.pagalz.com/blog/2008/12/wifi-tops-best-technological-innovation-poll/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>Surfing the net has become a lot more easier since wireless internet has come into being, and now Wi-Fi has rightly topped the poll for the greatest technological advance of the last decade, according to a survey.</p>
<p>With 35.5 percent votes, Wi-Fi has beaten Sky+, Sat Navs, iPods and Blackberries to win the poll conducted by a leading gadget magazine.</p>
<p>In the survey by &#8216;Stuff&#8217; magazine, the readers were asked to choose the greatest technological innovation of the past ten years.<span id="more-557"></span></p>
<p>More than a third voted for Wireless Internet.</p>
<p>SKY+, the personal video recorders (PVR) by Sky, at the second place, has emerged as the best known and best loved PVR.</p>
<p>&#8220;It really has given power to the consumer to allow them to watch what they want when they want,&#8221; the Telegraph quoted Fevzi Turkalp, who runs the Gadget Detective website, as saying.</p>
<p>Sat Nav, provided in almost every car now, stood at the third place, while energy-efficient Hybrid Cars have marked fourth place in the list.</p>
<p>Apple&#8217;s iPod has taken the fifth place in the list.</p>
<p>Simon Osborne-Walker, the publisher of Stuff magazine, said that he was confident readers had managed to sum up the best of the last decade.</p>
<p>&#8220;It&#8217;s been an amazing ten years for technology. Gadgets have gone from being big black boxes under the television to lightweight, portable devices,&#8221; he said.</p>
<p>Stuff&#8217;s list of the best technological innovation of last decade:</p>
<p>1. Wireless Internet &#8211; 35.5 percent</p>
<p>2. Sky+ &#8211; 16.9 percent</p>
<p>3. Sat Nav &#8211; 16.6 percent</p>
<p>4. Hybrid Cars &#8211; 8.9 percent</p>
<p>5. iPod &#8211; 5.6 percent</p>
<p>6. Chip and Pin &#8211; 5.6 percent</p>
<p>7. Nintendo Wii &#8211; 3.9 percent</p>
<p>8. Skype &#8211; 1.7 percent</p>
<p>9. Oyster Card &#8211; 1.5 percent</p>
<p>10. Blackberry &#8211; 1.1 percent</p>
<p>Other &#8211; 2.6 percent</p>
<p>http://in.news.yahoo.com/139/20081223/393/ttc-wifi-tops-best-technological-innovat.html</p>


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		<title>Holes in Earth&#8217;s magnetic cloak let the sun in</title>
		<link>http://www.pagalz.com/blog/2008/12/holes-in-earths-magnetic-cloak-let-the-sun-in/</link>
		<comments>http://www.pagalz.com/blog/2008/12/holes-in-earths-magnetic-cloak-let-the-sun-in/#comments</comments>
		<pubDate>Wed, 17 Dec 2008 09:30:10 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Coaching]]></category>
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		<guid isPermaLink="false">http://www.pagalz.com/blog/2008/12/17/holes-in-earths-magnetic-cloak-let-the-sun-in/</guid>
		<description><![CDATA[The Earth&#8217;s protective magnetosphere has two large holes that are letting in disruptive solar winds, scientists said on Tuesday.
Understanding how these holes form will help them better predict the electrical storms that cause power grid blackouts and the aurora, activity that will peak in 2012 as sunspots hit their maximum level.
Scientists at the American Geophysical  <a href="http://www.pagalz.com/blog/2008/12/holes-in-earths-magnetic-cloak-let-the-sun-in/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>The Earth&#8217;s protective magnetosphere has two large holes that are letting in disruptive solar winds, scientists said on Tuesday.</p>
<p>Understanding how these holes form will help them better predict the electrical storms that cause power grid blackouts and the aurora, activity that will peak in 2012 as sunspots hit their maximum level.</p>
<p>Scientists at the American Geophysical Union meeting in San Francisco said they had been entirely wrong about how solar particles that cause the storms were entering the Earth&#8217;s magnetosphere.</p>
<p>The magnetosphere is a bubble of magnetism that surrounds Earth and protects us from solar wind.</p>
<p>Scientists once believed that the particles entered when the sun&#8217;s magnetic field was aligned opposite to that of the Earth&#8217;s. But findings presented at the meeting show that 20 times more solar particles enter the Earth&#8217;s magnetic field when it is aligned in the same direction as the sun&#8217;s magnetic field.</p>
<p>The alignment causes the two magnetic fields to connect and tears holes in the Earth&#8217;s magnetic field over the poles.</p>
<p>&#8220;What we observed was the breach in the levee,&#8221; said Jimmy Raeder, a physicist at the University of New Hampshire. &#8220;This has taken us completely by surprise.&#8221;</p>
<p>In June 2007, NASA&#8217;s five THEMIS spacecraft probes flew through one of the tears just as it was opening. Sensors recorded a torrent of solar wind particles streaming into the magnetosphere, said Raeder.</p>
<p>&#8220;The opening was huge &#8212; four times wider than Earth itself,&#8221; said Raeder. &#8220;This kind of influx is an order of magnitude greater than what we thought was possible.&#8221;</p>
<p>Most of the particles are deflected back into space, but some circulate in the magnetosphere, get energized, and cause electrical storms that trigger power grid outages, cause problems for aircraft flying over the poles, and can damage satellites in geosynchronous orbit.</p>
<p>&#8220;There&#8217;s a bigger risk because we have more stuff in space now,&#8221; said Raeder.</p>
<p>Scientists said that the majority of solar storms take place midway through and on the tail end of the solar cycle. This 11-year cycle of activity is at its minimum now and electrical storms will be at their peak in 2012.</p>
<p>http://in.news.yahoo.com/137/20081217/776/tsc-holes-in-earth-s-magnetic-cloak-let.html</p>


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		<title>&#8216;Youth can change image of ugly Indian politician&#8217;</title>
		<link>http://www.pagalz.com/blog/2008/11/youth-can-change-image-of-ugly-indian-politician/</link>
		<comments>http://www.pagalz.com/blog/2008/11/youth-can-change-image-of-ugly-indian-politician/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 10:20:13 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Academics]]></category>
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		<guid isPermaLink="false">http://www.pagalz.com/blog/2008/11/18/youth-can-change-image-of-ugly-indian-politician/</guid>
		<description><![CDATA[Underlining the need for changing the image of the &#8220;ugly Indian politician&#8221;, senior BJP leader L K Advani on Tuesday said one way of making this possible was by encouraging more young people to join politics.
&#8220;I tell my fellow politicians, particularly those belonging to my own party, that it is our duty to erase this  <a href="http://www.pagalz.com/blog/2008/11/youth-can-change-image-of-ugly-indian-politician/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>Underlining the need for changing the image of the &#8220;ugly Indian politician&#8221;, senior BJP leader L K Advani on Tuesday said one way of making this possible was by encouraging more young people to join politics.</p>
<p>&#8220;I tell my fellow politicians, particularly those belonging to my own party, that it is our duty to erase this image of the &#8216;ugly Indian politician&#8217;&#8230;.it is necessary for the best and the brightest among the youth to join politics and serve the nation,&#8221; Advani said.</p>
<p>He was speaking at a seminar on &#8220;National Values Crisis and its Redressal&#8221; organised by the Foundation for Restoration of National Values.</p>
<p>The 81-year-old leader cited Transparency International&#8217;s annual reports where India ranks high in the corruption index and the United Nations report in which India ranks low in the Human Development Index. He held responsible the lack of professionalism among politicians as the reason for this state of affairs.</p>
<p>&#8220;Politics was a noble profession during the freedom Movement&#8230;After Independence, the spirit of mission got gradually diluted&#8230;Unfortunately, in India today politics is seen neither as a mission nor as a profession, but as pure commerce,&#8221; Advani lamented.</p>
<p>However, the senior leader pointed out that it was not just in politics that the values had gone down. &#8220;The lack of integrity and professional ethics is seen among lawyers, judges, doctors&#8230;. and even security personnel. It is seen even in the media,&#8221; Advani said.</p>
<p>BJP&#8217;s Prime Ministerial candidate said though the intelligence quotient of an individual could develop lifelong, his emotional, moral and spiritual quotient developed mostly between the age of 15 and 25 years.</p>
<p>&#8220;It is necessary for the young to join politics and serve the nation,&#8221; he said.</p>
<p>http://in.news.yahoo.com/48/20081118/814/tnl-youth-can-change-image-of-ugly-india.html</p>


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		<title>India&#8217;s Olympic gold medal and role of administrators and coaches</title>
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		<pubDate>Sun, 31 Aug 2008 15:11:45 +0000</pubDate>
		<dc:creator>shivani</dc:creator>
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		<description><![CDATA[Abhinav Bindra has proved that Indians are definitely capable of performing well in Olympics and win gold medals for the country. But we can win many more gold medals  provided the selection of sportspersons is done fairly and without  favouritism. The main reason for the poor performance is the wrong selection by the  <a href="http://www.pagalz.com/blog/2008/08/indias-olympic-gold-medal-and-role-of-administrators-and-coaches/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>Abhinav Bindra has proved that Indians are definitely capable of performing well in Olympics and win gold medals for the country. But we can win many more gold medals  provided the selection of sportspersons is done fairly and without  favouritism. The main reason for the poor performance is the wrong selection by the inept selectors and administrators of the sports. How can politicians and beurocrats who have no achievement to show in the sports world  be  trusted to run the sports bodies? Favouritism and prejudice are the part of Indian culture right from the olden times. Remember how Guru Dronacharya favoured Arjun over Eklavya ( belonging to a tribal community &#8220;Bheel&#8221;) and got his thumb chopped as &#8220;Gurudakshina&#8221; to help Arjun? And today we honour the same Guru by having sports awards for sports coaches in his name,i.e.&#8221; Dronacharya Awards.&#8221;  No doubt such coaches will indulge in favouritism and prejudices. Will it not be proper to have these awards named after &#8220;Eklavya&#8221; instead  to acknowledge his sacrifice and honour him atleast now.?</p>
<p>http://rahulkumar127.sulekha.com/blog/post/2008/08/india-s-olympic-gold-medal-and-role-of-administrators.htm</p>


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		<title>Music in Sama Veda</title>
		<link>http://www.pagalz.com/blog/2008/08/music-in-sama-veda/</link>
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		<pubDate>Sun, 31 Aug 2008 14:49:24 +0000</pubDate>
		<dc:creator>shivani</dc:creator>
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		<description><![CDATA[Music in Sama Veda
&#160;
Following my post the state of music in Ramayana, there was some discussion about Sama and its relation to music. I was asked to say a little more about the music in Sama Veda; hence this post.

1. Sama Veda samhita

1.1. Sama Veda is linked to music through yajna. It was customary to  <a href="http://www.pagalz.com/blog/2008/08/music-in-sama-veda/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p style="margin: 10pt 0in 0pt"><strong><font size="5"><span style="color: #c00000"><font size="4"><font face="Cambria">Music in Sama Veda</font></font></span></font></strong></p>
<p style="margin: 0in 0in 10pt">&nbsp;</p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">Following my post </font><a href="http://ssubbanna.sulekha.com/blog/post/2008/08/the-system-of-music-in-the-ramayana.htm"><font size="3">the state of music in Ramayana</font></a><font size="3">, there was some discussion about Sama and its relation to music. I was asked to say a little more about the music in Sama Veda; hence this post.</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">1. Sama Veda samhita<br />
</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">1.1. Sama Veda is linked to music through yajna. It was customary to invoke and invite deities by singing their hymns; and to recite the mantras while the rituals were being performed. Those who sang were designated: Udgatru .They selected those riks (mantras) from Rig Veda that could be sung.  And, they compiled such selection into a collection; and that collection came to be known as Sama Veda Samhita.  Out of the 1,549 mantras in Sama Veda, as many as 1,474 mantras are taken from Rig Veda. It is explained, <em>SA</em> stands for rik, while <em>AMA</em> stands for various notes (Brihad Up: 1-3-22). Sama Veda is thus, virtually, a musical rendering of the selected mantras from Rig Veda. In other words, Sama took <em>maathu</em> (words) from Rig Veda; and provided <em>dhathu</em>   the musical substance to those words</font>.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">1.2. The Sama Veda Samhita was two segments. The first segment is called Sama – Yoni (adhara) mantra Samhita, meaning that it is the basic text. This segment contains the selected mantras as they appear in the Rig Veda .This, virtually, is the source book. The second segment called Sama –gana text, details how the selected mantras are to be sung. This is the text for singing; expanding each mantra of the first segment with notations. This is the Sama Veda as it is generally understood and sung.</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">2. Sama-gana<br />
</font></span></strong></p>
<p><strong><span style="font-size: 11pt; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">2. 1.  As regards the styles of singing, Patanjali says that there were a thousand ways of singing of Sama &#8220;<em>sahasravartma samvedah</em>&#8220;. That might be just a poetic way of saying there were many styles of singing Sama. Of these, only three recensions Viz. Kauthumiya, Ranayaniya and Jaiminiya have survived. The Kauthumiya and Ranayaniya carry the same set of mantras; but they are grouped differently and there are variations in svaras (accent) too. The Jaiminiya is said to be different from the other two, in both the aspects.<br />
</font></p>
<p></span></strong> <strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">2.2. Udgathrus , the singers at the yajna , for whose guidance the Sama Veda came to be compiled , are usually</font></span></strong><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'"><font size="3"> a group of three singers; and the group together renderers the mantras in five stages:</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Prasthava: The initial portion of the mantra is sung by an Udgathru designated Prasthothru. He starts with Huuum sound (Hoon Kara).<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Udgita: He is followed by the chef Ritwik (designated the chief Udgathru) who sings his portion of the rik. He commences with an Om Kara.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Prathihara: the mid-portion is sung loudly by Prathiharthra.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Upadrava: The chief Udgathru sings again; and<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Nidhana: the final portion is sung by all the three together.</p>
<p></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><font size="3"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'">When a mantra, as per the above format, is sung three times, it is then <em>a stoma</em></span></strong><span style="font-family: 'Arial Unicode MS','sans-serif'">.</span></font></p>
<p style="margin: 0in 0in 10pt" align="justify"><font size="3"> </font></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">3. Elements of chanting</p>
<p></font></span></strong></p>
<p><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">3.1. The shiksha branch of Veda deals with elements of chanting and phonetics. According to Taittereya Upanishad (1. 2) , the elements of chanting includes six factors : Varna (syllable);svara(accent);maatra(duration);balam(time-duration);sama(even tone ) ; and Santana (continuity).The first four deal with correct pronunciation of individual syllables; and the last two with the pronunciation of the entire line or the verse.</p>
<p></font><br />
</span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">3.2. Briefly, Varna is the correct pronunciation of every isolated syllable, combination of consonants and ovals and compound letters. Svara is how a syllable has to be pronounced in one of the three accents (udatta, anudatta and svarita).Maatra is the time duration for pronouncing a syllable. There are four types: hrasva- a short one-duration for short ovals; dhirga- two unit-duration for long vowels; plutam- longer than two –unit duration; and, the fourth is ardha- maatra, half unit, meant for consonants not accompanied by vowels.</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">4. Sama music</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">4.1. The music, based on Sama mantras was classified into</font>:</p>
<p></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; color: black; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">(i). Grama_geya gana: was sung amidst people of the society. It was a natural way of singing.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; color: black; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">(ii).Aranya gana: Sung in contemplation, in the woods and groves. This was also a natural singing.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; color: black; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">(iii).Uhaa gana: Sung during the Soma yajna. The singing here followed a rather complicated pattern. And,<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; color: black; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">(iv).Uhya gana: secrect or singing within oneself.</p>
<p></span></strong></p>
<p><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">4.2. In the beginning, Sama-gana employed only three notes called Udatta, Anudatta and Svarita. The lyre (Vana-Veena) accompanying the singing had only three strings, one for each note.</font></span></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">The songs were perhaps like Ga Ga -Re Re -Sa Sa Sa. This kind of singing might have suited for chanting hymns.<br />
</font></p>
<p></span></strong> <strong><span style="font-family: 'Arial Unicode MS','sans-serif'">The three notes were differentiated depending on whether it was produced mfrom above or below the palate (taalu).</p>
<p></span></strong></p>
<p style="margin: 0in 0in 10pt" align="left"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Udatta refers to sound produced from above the palate; and is acutely accented (uchchaih) . </span></strong></p>
<p><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Anudatta was gravely accented (nichaih); produced from below the palate.</p>
<p></span></strong> <strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Svarita is a combination of udatta and anudatta, with udatta in the first-half. It is called a circumflexed accent.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">In the written/printed texts of the Rig Veda, Udatta is not indicated by any symbol; Anudatta is indicated by underlining the syllable; and Svarita is indicated by a vertical line above the syllable</font>.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">The Sama –gana texts, however, indicate udatta by writing the Sanskrit numeral –one above the letter; anudatta by writing the numeral –three above the letter; and svarita by writing the numeral –two above the letter. In sama text , the syllables that have symbols are called prachaya.</p>
<p>Please see the following example;</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><font size="3"> <img src="http://ssubbanna.sulekha.com/mstore/ssubbanna/albums/default/Sama.jpg" align="middle" height="215" width="350" /></font></strong></p>
<p style="margin: 0in 0in 10pt"><strong> </strong></p>
<p style="margin: 0in 0in 10pt"><strong> </strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">5. Sama svaras</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">5.1 .But, the scale, gradually, over a period of time, expanded from three to seven notes <em>Narada Shiksha</em> explaining the Sama music states: there were: seven notes (svaras); three gramas; 21 moorchanas; and 49 taanas in Sama music. It also gives the relation between the Sama notes (Sama svara) and notes on the flute (Venu svara):</font></span></strong></p>
<p style="margin: 0in 0in 5pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left"><strong> </strong></p>
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<td style="border: 1pt solid black; padding: 0in 5.4pt; background-color: transparent" colspan="2" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="center"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Sama svara</span></strong></p>
</td>
<td style="border-style: solid solid solid none; border-color: black black black #ece9d8; border-width: 1pt 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" colspan="2" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="center"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Venu svara</span></strong></p>
</td>
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</table>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left">&nbsp;</p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left"><strong> </strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">In the later Sama texts, it became customary to write the numerals (one to seven) on top of the Sama mantras to indicate their note- delineations (Sama vikara).</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><font size="3"><br />
<img src="http://ssubbanna.sulekha.com/mstore/ssubbanna/albums/default/Sama%20notes.jpg" align="middle" height="143" width="485" /></p>
<p></font></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">5.2. Naradiya Shiksha (1.5.3; 1.5.4) explains that each sama-svara was derived from the sounds made by a bird or an animal in its appropriate season. For instance, bulls roar was Rishabha; kraunchaka’s (heron) cry was Madhyama; elephant’s trumpet was Nishadha; and koel’s (cuckoo) melodious whistle was Panchama and so on. Please see the table below.<br />
</font></span></strong></p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="justify"><strong><font size="3"> </font></strong></p>
<table style="border: medium none ; border-collapse: collapse" border="1" cellpadding="0" cellspacing="0">
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<td style="border: 1pt solid black; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Name in Sama</span></strong></p>
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Music</span></strong></p>
</td>
<td style="border-style: solid solid solid none; border-color: black black black #ece9d8; border-width: 1pt 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Symbol</span></strong></p>
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<td style="border-style: solid solid solid none; border-color: black black black #ece9d8; border-width: 1pt 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Sama Veda</span></strong></p>
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Svara</span></strong></p>
</td>
<td style="border-style: solid solid solid none; border-color: black black black #ece9d8; border-width: 1pt 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Bird/animal</span></strong></p>
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Sound associated</span></strong></p>
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<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Madhyama</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Ma</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">svarita</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">heron</span></strong></p>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Gandhara</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Ga</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">udatta</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">goat</span></strong></p>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Rishabha</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Ri</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">anudatta</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">bull</span></strong></p>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Shadja</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Sa</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">svarita</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">peacock</span></strong></p>
</td>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Nishadha</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Ni</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">udatta</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">elephant</span></strong></p>
</td>
</tr>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Daiwatha</span></strong></p>
</td>
<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Dha</span></strong></p>
</td>
<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">anudatta</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">horse</span></strong></p>
</td>
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<td style="border-style: none solid solid; border-color: #ece9d8 black black; border-width: medium 1pt 1pt; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Panchama</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">Pa</span></strong></p>
</td>
<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">svarita</span></strong></p>
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<td style="border-style: none solid solid none; border-color: rgb(236, 233, 216) black black rgb(236, 233, 216); border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; background-color: transparent" valign="top">
<p style="margin: 0in 0in 0pt; line-height: normal" align="left"><strong><span style="font-size: 10pt; color: black; font-family: 'Arial Unicode MS','sans-serif'">koel</span></strong></p>
</td>
</tr>
</table>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left"><strong> </strong></p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left"><strong> </strong></p>
<p><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"></p>
<p align="justify">
<p><font size="3">5.3. The Sama notes were of <em>Nidhana prakriti</em> (diminishing nature) and followed a descending order</font>.</p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left">&nbsp;</p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="justify"><strong><span style="color: black; font-family: 'Arial Unicode MS','sans-serif'"><font size="3">The order of the svaras in Sama-music was: Ma, Ga, Ri, Sa, Ni, Dha, and Pa. The order of the svaras was revised in the later texts to: Sa, Ri, Ga, Ma, Pa, Dha and Ni ; as we are familiar with it today</font>.</p>
<p></span></strong></p>
<p style="margin: 0in 0in 0pt; background: white none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal" align="left"><strong> </strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><a href="http://www.omenad.net/page.php"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">Dr. Lalmani Misra,</font></span></strong></a><font size="3"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"> a noted scholar, explained the Vedic priests used a single or two notes. The Sama singers improved on that and used at least three notes. ” The singers explored further and discovered more notes. M G R S D has been determined to be the basic set of notes used in this order by Sāmik singers” he said, “</span></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'">Sāmik notes were exactly those followed in Shadja grāmik tradition.”<br />
</span></strong></font></p>
<p align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">Dr. Misra also said that ancient musical scale using notes in descending order can be translated into modern Shadja grām by considering the Madhyam  to be Shadja and moving</font> <font size="3">up the scale.</font></p>
<p></span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">6. Muscial instruments<br />
</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">We may make a brief mention about the musical instruments mentioned in Rig Veda, before we go further.  The following musical instruments find reference in the Rig Veda. These instruments later developed into vana (lyre), veena, Venu or vamsha (flute) and mridanga (drums</font></span></strong><font face="Calibri">).<br />
</font></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Karkari (RV 2.43.3) and Tunabha were veena –like string instruments. In fact, all string instruments were called veena.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Vana (RV 1.85.10; 6.24.9 etc.) was a lyre; a plucked string instrument like a harp. Rig Veda (10.32.4) mentions the seven tones (varas0 of the vana (<em>vanasya saptha dhaturit janah</em>).<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Naali (RV 10.135.7) was a wind instrument similar to flute.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Dundhubhi (RV 1.28.51; 6.47.29 etc.) was a drum to keep betas and rhythm.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Adambarara was also a drum made from udambara tree.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong><span style="font-size: 10pt; line-height: 115%; font-family: 'Arial Unicode MS','sans-serif'">Shanka vadya blowing of counch is also mentioned.</span></strong></p>
<p style="margin: 0in 0in 10pt"><strong> </strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">Musical instruments were basically used as accompaniments to singing and dancing. There are no references to playing them solo. </font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><font size="3"> </font></p>
<p style="margin: 0in 0in 10pt" align="left"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">7. Development of Sama music<br />
</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">7.1. As sama-gana originated from the yajna, its purpose, at least in the initial stages, was limited to chanting by the udgathrus.</font></span></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3"> Later, as they explored and discovered </font><span><font size="3">  more music, the number of notes increased from three to four, then five (which continued for a very long time), then six and finally seven. With that, the number of strings of the lyre too increased.</font><br />
</span></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">7.2. Even then, since the Sama notes were in a descending order there was not much flexibility in music. Dr. Mishra remarks “In those times there were no microphones or loudspeakers. Sam was sung in large, wide, open or canopied spaces, with the intention that all present should be able to hear it. In such a condition if the song has notes M G R S D ( as in Sama) it would be audible at best in a single room, but if the notes, S N D P G starting from Tār-saptak are sung they would be loud enough for all to hear. So, from this angle of usage too, S N D P G seems more appropriate than M G R S D. “<br />
</font></span></strong></p>
<p align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">Further since the  raga concept was, then, yet to be evolved, there might not have been much depth and variation in the rendering of Vedic or Sama music.</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">The Sama music, in its later stages, was just ripe; and it was also eager to grow and expand both in scope and content.</p>
<p></font></span></strong></p>
<p align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">7.3. It was during the Gupta period that Indian music started gaining the form which we now call Classical. As a result of the disciplines evolved over the ages, a well structured system of music could be  erected on the foundations of the Sama -gana .From that, a typical way of singing (Marga) emerged .No matter who sang and in which region it was sung, the Sama and the Marga  music had to follow the traditional approved format. The roots of Sangita, the traditional (classic) Indian Music were thus firmly founded in Sama- gana.</p>
<p></font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">7.4. The folk music (Desi) on the other hand, sprang from the common people and varied from region to region. It was inspired from life , spontaneous and fluid. The two systems developed independently</font>.<br />
</span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">It is only of late the Marga and Desi; the classical and folk music are coming together, enriching and inspiring each other. It is wonderfully delightful development.</font></span></strong></p>
<p style="margin: 0in 0in 10pt" align="justify"><strong><font size="3"> </font></strong></p>
<p align="justify"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">8. Music and spiritual progress</p>
<p></font></span></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><font size="3">8.1. Music in the Vedic times was sung and played for entertainment. Its other main use was during the performance of the yajna; and it was here that sama-gana was born. However, the concept that music would lead to spiritual development did not seem to have existed then</font>.<br />
</span></strong><font size="3"><strong><span style="font-family: 'Arial Unicode MS','sans-serif'"><br />
8.2. It was only in the later texts, say of 4<sup>th</sup> to 6<sup>th</sup> century AD, such as Brihaddeshi, Vayupurana and Narada shiksha assigned the musical </span></strong><strong><em><span style="font-family: 'Arial Unicode MS','sans-serif'">taanas</span></em></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'">, names of the various Yajnas; and said that the benefits of those yajnas could be obtained by singing the relative </span></strong><strong><em><span style="font-family: 'Arial Unicode MS','sans-serif'">taanas</span></em></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'">. The Yajnavalkhya shiksha said, the music would help spiritual practices. The idea that music was a way to liberation (</span></strong><strong><em><span style="font-family: 'Arial Unicode MS','sans-serif'">moksha sadhana</span></em></strong><strong><span style="font-family: 'Arial Unicode MS','sans-serif'">) seems to have emerged at a later stage, perhaps during the Bhakthi period (10<sup>th</sup> -11<sup>th</sup> century and onwards).</span></strong></font></p>
<p align="justify">&nbsp;</p>
<p align="justify">http://ssubbanna.sulekha.com/blog/post/2008/08/music-in-sama-veda.htm</p>
<p></span></strong></p>


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		<title>Tips to Create Effective Environment in Classroom</title>
		<link>http://www.pagalz.com/blog/2008/08/tips-to-create-effective-environment-in-classroom/</link>
		<comments>http://www.pagalz.com/blog/2008/08/tips-to-create-effective-environment-in-classroom/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 11:55:10 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Academics]]></category>
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		<description><![CDATA[
Every teacher knows that a safe, clean, comfortable and attractive classroom can stimulate learning and help build a classroom community. But for many teachers, setting up the physical environment of their classrooms can be quite daunting, especially when faced with older buildings, crowded classrooms and insufficient storage space. You can make the most of your  <a href="http://www.pagalz.com/blog/2008/08/tips-to-create-effective-environment-in-classroom/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: center"><img src="http://teacher.co.in/wp-content/uploads/2008/06/classroom.jpg" id="image102" alt="classroom.jpg" /></p>
<p>Every teacher knows that a safe, clean, comfortable and attractive classroom can stimulate learning and help build a classroom community. But for many teachers, setting up the physical environment of their classrooms can be quite daunting, especially when faced with older buildings, crowded classrooms and insufficient storage space. You can make the most of your classroom environment by carefully considering your needs and the needs of your students.<br />
<span class="blacktitle"><br />
<strong>Survey Your Classroom</strong>: Looking at the Basics : </span>The first things to consider when organizing your classroom are cleanliness, light and temperature. Once you have checked the basic elements in your classroom, think about your floor plan. Your floor plan may depend on the grade you are teaching. For the lower grades, your classroom setup may include many different learning areas, such as a reading area, an art center and a technology center.</p>
<p><span class="blacktitle"><strong>Classroom Decor</strong>: Facing the Blank Canvas : </span>Encourage students to make the classroom space their own. Welcome their contributions to its decoration, and urge them to take responsibility for its maintenance. <span class="black">Interesting and attractive visual aids, such as bulletin boards and posters, are key components of an effective classroom. Wall decorations should be colorful, appealing and relevant to current classwork. They should be rotated and refreshed frequently. </span></p>
<p><span class="black"><span class="blacktitle"><strong>The Greenhouse Effect</strong> : </span>Caring for live plants can give your classroom a warm, comforting feel. It can also help teach students responsibility – and science! Local nurseries or greenhouses may even be willing to donate the plants to your class. Entrust children, especially older children, to care for the class plants. They can make sure that the plants receive adequate water, light and air. </span></p>
<p><span class="black"><span class="blacktitle"><strong>Use Lots of Storage Space</strong> : </span></span><span class="black">The primary classroom should have as much storage space as possible, both for students’ personal belongings and for shared tools and materials. Each child should have a personal space, such as a desk or a cubby and a coat hook, for his or her own things.  </span></p>
<p><span class="black">When you’ve finished setting up your classroom, give it a practice run or two. Walk through a typical school day, making sure that both you and the students have enough space to work and move around, that everyone in the classroom can see and hear and that every part of the room is as pleasant as possible.</span><span class="black">Your classroom will continue to change and evolve as the school year progresses. These suggestions can help you create a classroom environment that is welcoming, comfortable, clean and secure.</span></p>
<p>http://teacher.co.in/2008/06/04/tips-to-create-effective-environment-in-classroom/</p>


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		<title>What do Management Looks in before appointing a New Teacher : Interview tips</title>
		<link>http://www.pagalz.com/blog/2008/08/what-do-management-looks-in-before-appointing-a-new-teacher-interview-tips/</link>
		<comments>http://www.pagalz.com/blog/2008/08/what-do-management-looks-in-before-appointing-a-new-teacher-interview-tips/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 11:54:59 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Coaching]]></category>
		<category><![CDATA[Education and Training]]></category>

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		<description><![CDATA[Interviewing for a teaching position can be stressful, especially for those who are recent college graduates or reentering the profession. But some of the qualities which the management or administrators look before appointing teachers might help you to prepare well.

show a genuine passion for teaching.
care about helping children learn.
are prompt, prepared, and organized.
are flexible, enthusiastic  <a href="http://www.pagalz.com/blog/2008/08/what-do-management-looks-in-before-appointing-a-new-teacher-interview-tips/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>Interviewing for a teaching position can be stressful, especially for those who are recent college graduates or reentering the profession. But some of the qualities which the management or administrators look before appointing teachers might help you to prepare well.</p>
<ul>
<li>show a genuine passion for teaching.</li>
<li>care about helping children learn.</li>
<li>are prompt, prepared, and organized.</li>
<li>are flexible, enthusiastic and energetic.</li>
<li>have classroom management skills.</li>
<li>can maintain discipline.</li>
<li>can create a calm, intellectually stimulating, and respectful classroom environment.</li>
<li>have high expectations and hold students to high standards.</li>
<li>possess knowledge of the subject matter.</li>
<li>have an understanding of state standards and state testing.</li>
<li>use a variety of teaching methods.</li>
<li>have the ability to integrate technology into instruction.</li>
<li>can motivate children to learn.</li>
<li>can pace instruction so that student interest is maintained.</li>
<li>can differentiate instruction.</li>
<li>are amenable to changes.</li>
<li>are willing to develop and implement new curricula.</li>
<li>express an interest in collaborating with colleagues.</li>
<li>have superior writing and verbal skills.</li>
<li>exhibit “people skills,” i.e. get along well with other educators, students, parents, and community members.</li>
</ul>
<p>http://teacher.co.in/2008/04/03/what-do-management-looks-in-before-appointing-a-new-teacher-interview-tips/</p>


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		<title>10 Tips for Time Management for Your Home-Based Business</title>
		<link>http://www.pagalz.com/blog/2008/08/10-tips-for-time-management-for-your-home-based-business/</link>
		<comments>http://www.pagalz.com/blog/2008/08/10-tips-for-time-management-for-your-home-based-business/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 11:52:19 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Career & Jobs]]></category>
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		<description><![CDATA[Time is money, and no one knows this better than home-based business owners. You work, you get paid. And if you don&#8217;t work, well, no one will magically deposit a paycheck into your bank account twice a month.
For most home-based business owners, that&#8217;s plenty of incentive to manage their time effectively. But how can you  <a href="http://www.pagalz.com/blog/2008/08/10-tips-for-time-management-for-your-home-based-business/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p>Time is money, and no one knows this better than home-based business owners. You work, you get paid. And if you don&#8217;t work, well, no one will magically deposit a paycheck into your bank account twice a month.</p>
<p>For most home-based business owners, that&#8217;s plenty of incentive to manage their time effectively. But how can you make the most of each work day? Start with these 10 tips:<br />
Plan tomorrow today. Even the most successful and conscientious small business owners need help handling all they need to accomplish. Planning tomorrow&#8217;s schedule today is a great way to get ahead. At the end of each workday, jot down a to-do list of things you want to accomplish tomorrow, in order of priority. That will get you prepared for tomorrow, and you&#8217;ll avoid wasting time deciding or worrying about what should come next.</p>
<p><strong>Get your priorities straight</strong>. Prioritize your tasks. All your activities can be broken down into categories in order of importance. If you need to be networking and finding new business leads, set a time frame for that task. Then set aside time for growing and expanding current business. Then check off all the other tasks that need to be completed by the end of the day.<br />
Maximize downtime. Keep a notepad or tape recorder with you whenever you&#8217;re away from the office. Jot down or record good ideas whenever they occur to you. Your cell phone also is a great tool. Call yourself and remind yourself of what you need to get done. If you’re traveling, bring your laptop and cell phone with you to the airport, and catch up on email and calls while you wait.</p>
<p><strong>Emulate the early bird.</strong> Set your alarm clock for an hour before the rest of the family is due to get up. Get up and get an early start crossing off to-do items on your checklist.<br />
Take breaks. Set aside time for breaks during the day to recharge and reenergize. It’s amazing how much something as simple as a half-hour walk or lunch (not at your desk!) can do to clear your mind and help you refocus on your goals.</p>
<p><strong>Strike a balance</strong>. The key to time management is balancing your activities so that your life is not all work and no play. You have to make time to do the things necessary to keep your business growing, but don&#8217;t do it at the expense of the things you need to do to keep yourself growing.</p>
<p><strong>Pay attention to the little things</strong>. It’s the little things that can trip you up and waste time. For example, using dial-up for your computer instead of a high-speed connection to the Internet costs you time. Connecting a fax machine to your main phone line every time you need to send or receive a fax costs you time, as does going back and forth to a printer set up in a different room. Each of these items may only take a few seconds here or there, but in aggregate they can add up and cost you big chunks of your day.</p>
<p><strong>Take out the trash</strong>. Throw away everything you don&#8217;t need as soon as it lands in your mailbox. This will keep junk email and snail mail from piling up and becoming a major distraction.</p>
<p><strong>Stay focused</strong>. Yes, the laundry is piling up, and the dishwasher needs to be emptied. But the truth is there will always be things that you could be doing instead of working. But to run a successful home-based business, many times you&#8217;ll just have to ignore these distractions and stay focused on the task at hand.</p>
<p><strong>Separate church and state</strong>. To manage your time working at home efficiently, you have to delegate what hours are for what. Explain to family — especially children — that you aren&#8217;t choosing work over spending time with them, but that you have to work during work hours. Once the workday is over, focus entirely on your family, and don&#8217;t let business intrude on your time with them.</p>
<p>http://www.home-based-business-blog.blogspot.com/</p>


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		<title>How to Multiply Your money.</title>
		<link>http://www.pagalz.com/blog/2008/08/how-to-multiply-your-money/</link>
		<comments>http://www.pagalz.com/blog/2008/08/how-to-multiply-your-money/#comments</comments>
		<pubDate>Tue, 19 Aug 2008 11:44:03 +0000</pubDate>
		<dc:creator>preeti</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Coaching]]></category>
		<category><![CDATA[Entrepreneurship]]></category>
		<category><![CDATA[Finance]]></category>
		<category><![CDATA[Investing]]></category>

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		<description><![CDATA[Hello every one,
I want to share my personal experience in multiplying money.
Before I let you know the formula for money making, I will let you assume a practical example that how the money gets multiply.
If you deposit 5000 bucks every year, for 20 years @ 10% p.a. How much you will get in returns after  <a href="http://www.pagalz.com/blog/2008/08/how-to-multiply-your-money/" class="more-link">More &#62;</a>]]></description>
			<content:encoded><![CDATA[<p class="editorcontent"><font size="2"><span style="font-size: 85%; font-family: verdana">Hello every one,<br />
I want to share my personal experience in multiplying money.</span><br />
</font><span style="font-size: 85%; font-family: verdana"><font size="2">Before I let you know the formula for money making, I will let you assume a practical example that how the money gets multiply.</font></span></p>
<p><font size="2">If you deposit 5000 bucks every year, for 20 years @ 10% p.a. How much you will get in returns after 20 years can you guess…….?<br />
That means you deposit 5000 bucks every year @10% p.a. for the period of 20 years.<br />
At the end of 20th year you will have <strong><span style="font-size: 100%">315,012 Bucks!!!</span></strong> It’s 3 times your investment!!</font></p>
<p><font size="2">So now I will share with you the success formula of multiplying your money via stock market.</font></p>
<p><font size="2">Few things before I start, you need to take of the few things below listed,<br />
</font><font size="2"><strong>1. Patience<br />
2. Implementing the formula as per the rule.<br />
3. Don’t go out of the Box.<br />
4. Don’t be greedy as time goes on.</strong></font></p>
<p><font size="2">So here we go now.<br />
Select a stock which should be an integral part of index.<br />
The reason to select the stock from index is because the index stock is very liquid and fundamentally strong stocks.<br />
The stocks must have an intraday moment of at least 2%-5% up or down.<br />
These were the eligibility criteria for selecting the right stock.</font></p>
<p><font size="2">Now suppose your selected stock is X and the current value of the stock X is 100 bucks.<br />
And you only have 50,000 bucks with you in your account.</font></p>
<p><font size="2">We need to segregate our investment in such a way that we should be able to buy the stocks even if it falls 50% from the current value (100) (i.e. we can buy the stocks at 50 bucks also).</font></p>
<p><font size="2">Your capital is 50,000 and the stock value is 100, now 50,000/100 = 500.<br />
You can buy 500 stocks in all.</font></p>
<p><font size="2">You have to buy the stock in lot size of 50.<br />
Every 5% fall, you have to buy 50 shares of stock X, and hence you can buy the stock till the maximum fall of 50%.</font></p>
<p><font size="2">As the stocks falls you keep buying the lot size. And as the stocks rises 5% you release the stocks. That will keep booking profit at every 5% level rise and fall of the stock.<br />
<strong>E.g. Day 1</strong><br />
Stock Value 95, Buy 50 shares.<br />
<strong>Day 2</strong><br />
Stock value 90, Buy 50 shares<br />
<strong>Day3</strong><br />
Stock value 95, Sell the last buy, i.e. 50 shares bought at 90 and hence you have booked 5% profit.</font></p>
<p><font size="2"><strong>Keep following this buying and selling and you see enormous growth in your account</strong>.</font></p>
<h6></h6>
<p>http://sameer17.sulekha.com/blog/post/2008/08/how-to-multiply-your-money.htm</p>


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